The Criterion Collection
Dec 9, 2025 — In one of cinema’s greatest love stories, Michael Powell and Emeric Pressburger use the mercurial beauty of Scotland’s Inner Hebrides to evoke the unruly passions of an indelible heroine.
The Daily
Nov 4, 2025 — The director of La commune and The War Game shook up viewers with dramatizations historical conflicts and imminent futures.
The Daily
Oct 23, 2025 — For many critics and fans, the only problem with the five-hour series is that it isn’t twice as long.
Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.
On the Channel
Jul 17, 2025 — Among this month’s highlights are a spotlight on ’90s soundtracks, a celebration of Hong Kong icon Sammo Hung, and a retrospective of the work of Spanish auteur Bigas Luna.
The Daily
Feb 21, 2025 — This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.
The Daily
Nov 8, 2024 — This week offers revivals of overlooked films by Antonioni and Alan Rudolph and conversations with Garrett Bradley and Paulo Branco.
The Daily
Oct 30, 2024 — The filmmaker struggled to emerge from the long shadow of one of the world’s most famous artists.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.