The Criterion Collection
The Daily
Jul 24, 2017 — “It seems, at first, like an impossible caper,” begins Jordan Hoffman, writing for the Guardian. “Can Steven Soderbergh bring something new to the heist genre after his outstanding Oceans trilogy? The answer, as always, is to have faith in the...
The Daily
Jul 22, 2017 — John Heard has passed away at the age of seventy-two, and both Deadline’s Denise Petski and Variety’s Pat Saperstein are claiming that he was best known as Peter McCallister, the father of Macaulay Culkin’s Kevin McCallister in the Home Alone...
The Daily
Jul 20, 2017 — This year’s Il Cinema Ritrovato wrapped nearly three weeks ago now, and it’s the kind of festival that has attendees reflecting on each edition months and undoubtedly years down the line. Three especially notable pieces have appeared in just the...
The Daily
Jul 17, 2017 — “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...
The Daily
Jul 12, 2017 — New York. A retrospective of films by Alain Tanner opens today at the Metrograph and runs through July 23. Writing for Hyperallergic, Craig Hubert looks back on work Tanner did with the late critic, novelist, painter, and poet John Berger,...
The Daily
Jun 21, 2017 — Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...
The Daily
Jun 18, 2017 — “This book will be one of the most important film publications of 2017,” declares David Bordwell, introducing a guest post from Charles Maland, who’s edited Complete Film Criticism: Reviews, Essays, and Manuscripts, Volume Five in the University of Tennessee Press...
The Daily
Jun 14, 2017 — This weekend marks the fiftieth anniversary of the Monterey International Pop Festival, “a watershed mega-concert that introduced America to the Jimi Hendrix Experience, the Who and Ravi Shankar; and also provided the first big-time platform for Janis Joplin and Otis...
Jun 6, 2017 — Combining sardonic humor with poignant characterizations, this cult comedy explores the discontents of two high-school graduates adrift in strip-mall America.
The Daily
May 23, 2017 — “Of all of the documentaries made about North Korea by Westerners in recent years, Claude Lanzmann’s Napalm, which premiered Sunday out of competition at Cannes, is by far the most peculiar, not to mention the most brazenly narcissistic,” writes Cineaste...