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The Family Way

Amos Vogel at 100

The Daily

Mar 31, 2021 — The Austrian Film Museum and Punto de Vista celebrate one of the most influential programmers in the history of cinema.

Aug 30, 2017 — “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...

May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Apr 9, 2026 — Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.

Jul 14, 2025 — The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.

Jul 19, 2021 — The Palme d’Or, Caméra d'Or, Un Certain Regard Prize, and Palme d’Or for best short film have all gone to women directors.

Mar 3, 2025 — Sean Baker’s eighth feature wins five top Academy Awards.

Sep 4, 2012 — Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...

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