The Criterion Collection
Apr 28, 2009 — For his ongoing series “Philip French’s Screen Legends,” begun in January 2008 on the Guardian’s website, the British film critic has been profiling the “great actors in film, choosing their key works and assessing their legacy,” in neat little encapsulations....
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.
Sep 3, 2007 — As the opening credits for Night on Earth begin to roll, we are informed that the film is a Locus Solus Production. A curious name, no doubt unfamiliar to most people, but one that reveals a great deal about Jim...
Oct 23, 2006 — The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.
Essays
Sep 17, 2001 — Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.
Feb 19, 2010 — The following transmission is an e-mail from September 2002, which I sent back to Criterion headquarters after spending a night at Hunter S. Thompson’s cabin in Woody Creek, Colorado, recording commentary tracks for the DVD release of Fear and Loathing...
Essays
Sep 29, 2003 — Roman Polanski’s maiden feature would define his maverick status once and for all.
The Daily
May 12, 2025 — Daniel Kehlmann’s new novel The Director reimagines the life of G. W. Pabst, and there’s a minor role in it for Leni Riefenstahl.
Apr 24, 2024 — In this early-career gem from one of the most beloved Japanese animation directors of all time, an extravagant sci-fi narrative is anchored by the transcendent power of young love and poignant observations of modern life.