Good

May 27, 2017 — “Some filmmakers rust during periods of inactivity,” begins Guy Lodge in Variety. “Lynne Ramsay arches and tenses, lying in wait like an attack dog. And attack she does, though not in all the expected ways, in her astonishing fourth feature...

May 26, 2017 — Today’s second Competition entry is Fatih Akin’s In the Fade, and we begin with the A.V. Club’s A. A. Dowd: “Diane Kruger stars as Katja, a woman whose husband, a Turkish immigrant, and son, who’s only six, are killed in...

May 25, 2017 — “Leave it to Kiyoshi Kurosawa, our favorite director of B movies that look like art films (or are they the other way around?), to upturn the nostalgia for American blockbusters of the 1980s,” begins Daniel Kasman in the Notebook. “Japan’s...

May 25, 2017 — “The botched bank robbery is a well-worn genre staple, but has ever a heist gone quite so wrong to quite such electric, propulsive effect as in Josh and Benny Safdie’s Good Time?” asks Jessica Kiang at the Playlist. “Bouncing wildly...

May 25, 2017 — “It’s baffling that Jacques Doillon’s Rodin was granted one of the main-competition slots,” writes Manohla Dargis in her latest dispatch from the Cannes Film Festival back to the New York Times. “A handsomely mounted waxworks, it might have made sense...

May 24, 2017 — “Sofia Coppola delivers a very enjoyable southern melodrama, the tale of a handsome, badly wounded Union soldier in enemy terrain during the American civil war who throws himself on the mercy of a ladies’ seminary—of all the outrageous things.” The...

May 24, 2017 — “Cinema lost one of its pre-eminent pioneers when Abbas Kiarostami died on July 4, 2016,” writes Giovanni Marchini Camia at the Film Stage, where he notes that 24 Frames “was as good as finished” at the time of his passing....

May 23, 2017 — “To premiere one film at Cannes is an honor,” writes Nicolas Rapold in the New York Times. “Being granted two slots in the lineup is a major distinction indeed. But for the prolific South Korean director Hong Sangsoo, the two...

May 23, 2017 — “For ardent Hong Sangsoo fans, 2017 couldn’t be a more rewarding year,” writes Bradley Warren at the Playlist. “Not just because the South Korean filmmaker has three new films ready—the first, On the Beach at Night Alone, launched in Berlin—or...

May 22, 2017 — “At the risk of accidentally donating three words to the poster, How to Talk to Girls at Parties looks like it was phenomenally good fun to make,” grants the Telegraph’s Tim Robey. “An alien-sex-comedy-punk-musical-doodle set in 1977 Croydon, it packs...