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A Different Man

Color Me Impressed

Tech Corner

Oct 28, 2007 When I started preparing for a new transfer of The Ice Storm, I asked director Ang Lee if he wanted to supervise the session. Ang said that he’d like the cinematographer, Fred Elmes, to supervise, and that he would come...

Jan 22, 2026 A deft mixture of family epic, romantic melodrama, landscape cinema, and comedy, Burkinabe director Idrissa Ouédraogo’s landmark film balances the universality of its themes with the fierce individuality of its characters.

Jan 21, 2020 Melancholy and offbeat, Anna Mantzaris’s stop-motion animated short Good Intentions tells the tale of a woman involved in a hit-and-run accident that sparks a chain of strange occurrences. Using chubby-cheeked felt puppets that might suggest a more charming, whimsical type of story,...

Jul 30, 2019 One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...

May 2, 2017 It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...

Mar 29, 2024 Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.

Sep 1, 2021 New films by Pedro Almodóvar, Jane Campion, Maggie Gyllenhaal, Paul Schrader, and Paolo Sorrentino are set to premiere in competition.

Jan 7, 2021 That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...

Sep 30, 2020 The new issue offers features on films by Gianfranco Rosi, Orson Welles, Ephraim Asili, and Nicolás Pereda.

Apr 3, 2020 Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.

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