The Thing

Aug 18, 2017 — “The last time I saw Poison [1991] it shocked me,” Todd Haynes tells Rory O’Connor at the Film Stage, “and it demonstrated to me a different side of myself, of my history, of our history as a culture, as a...

Jul 18, 2017 — During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.

Jun 1, 2017 — “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...

May 27, 2017 — “Some filmmakers rust during periods of inactivity,” begins Guy Lodge in Variety. “Lynne Ramsay arches and tenses, lying in wait like an attack dog. And attack she does, though not in all the expected ways, in her astonishing fourth feature...

Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

Apr 26, 2016 — Combining Turner Classic Movies’ programming experience with Criterion’s library of films and supplemental content made all the sense in the world.

Mar 24, 2016 — With Edward Yang’s A Brighter Summer Day finally available in the U.S., screenwriter Hung Hung talks about his working relationship with Yang, the film’s truncated distribution and slow path to acclaim, and the real-life roots of its narrative.

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.

Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.