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Simpsley

Nov 19, 2008 My first trip to Paris took place inside the darkened cafeteria of Warnsdorfer Elementary School in East Brunswick, New Jersey. A few times each year, the entire student body was brought together to watch movies cast from a rickety 16...

Nov 19, 2008 Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.

Nov 16, 2008 Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...

Nov 2, 2008 To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...

This Swedish master made existential and soul-searching films that constitute one of the richest bodies of work in the history of cinema.

Oct 20, 2008 Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.

Sep 15, 2008 Max Ophuls’s 1952 comedy celebrates existence by presenting a world full of unresolvable contradictions.

Aug 18, 2008 One of the most awarded films in Japanese history, Keisuke Kinoshita’s nostalgia piece unfolds a celebration of family values and scenic beauty.

Aug 11, 2008 Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...

Jul 21, 2008 A dreamy alternative to the standard notion of horror, Carl Theodor Dreyer’s phantasmal film reimagined the figure of the vampire.

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