The Criterion Collection
Essays
Nov 12, 2015 — Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.
Features
Nov 3, 2015 — We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.
Oct 20, 2015 — Taiwanese filmmaker Hou Hsiao-hsien is back with an awe-inspiring martial-arts epic.
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Criterion Designs
Sep 24, 2015 — The French Lieutenant’s Woman is a film with the look of a lush period piece and the structure of postmodern metafiction. When it came time to design the cover, we wanted something that would emphasize the ways the film makes...
Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.
Short Takes
Sep 21, 2015 — This week, veteran director Bruce Beresford joins the collection with Breaker Morant and Mister Johnson, two early twentieth-century period pieces about colonialism and its destructive legacies. Beresford (seen above on the set of Mister Johnson) has been making movies for...
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.