The Criterion Collection
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
On the Channel
Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
Aug 27, 2020 — In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...
The Daily
Apr 13, 2020 — The director of House, dozens of experimental films, and thousands of commercials returned again and again to the devastation of the Second World War.
Essays
Oct 24, 2019 — With deafening footfalls and an earsplitting roar, Gojira, known in the West as Godzilla, first thundered into Japan’s movie houses on November 3, 1954. Six and a half decades later, the monster presides over an international entertainment franchise, having starred...
The Daily
Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
Features
Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.