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Sep 21, 2015 — Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.

Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.

Sep 2, 2015 — In preparation for our upcoming release of D. A. Pennebaker’s groundbreaking 1967 Bob Dylan documentary Dont Look Back, we recently visited the legendary filmmaker at his home, where he introduced us to an old friend. Photo by Grant Delin That’s...

Sep 1, 2015 — Anyone interested in the art of nonfiction filmmaking should get familiar with the work of Allan King. The Canadian documentarian was a pioneer of the Direct Cinema movement of the 1960s, alongside Albert and David Maysles, Richard Leacock, and D....

Aug 26, 2015 — A seasoned, Oscar-winning actor like Marion Cotillard has to throw out the rule book when it comes to acting for the brilliant Belgian filmmaking duo Jean-Pierre and Luc Dardenne. In this clip from a new interview with Cotillard available on...

Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.

Aug 21, 2015 — It’s no longer a normal workday when Patti Smith stops by the office. The singer-songwriter, visual artist, poet, and best-selling scribe was here today to shoot an interview about Dont Look Back, D. A. Pennebaker’s legendary Bob Dylan documentary, which...

Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.

Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.

Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.