As One

Mar 25, 2019 — The writer, producer, and director packed trenchant satire into his genre-hopping B-movies.

Mar 18, 2019 — The artist and pioneering lesbian filmmaker leaves behind paintings, writings, nearly eighty films, and a grant for aspiring filmmakers.

Feb 19, 2019 — Under the Influence Debuts don’t get much more auspicious than Hale County This Morning, This Evening. Widely acclaimed and Oscar-nominated, RaMell Ross’s first feature-length documentary trains its lyrical focus on two young Alabamians’ divergent paths into adulthood, all while reflecting...

Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.

Jun 14, 2018 — Repertory Picks With Unruly Women, a monthly repertory series running through August, the Art Theater in Champaign, Illinois, is celebrating the defiant passions of some of cinema’s most fiercely independent female characters. On Monday evening, Douglas Sirk’s 1955 film All...

May 29, 2018 — John Schlesinger’s Midnight Cowboy is a milestone along several different paths of movie history, all of which converged at the majestically seedy crossroads of Times Square in the spring of 1968.

May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.

Mar 19, 2018 — New York. On Friday and Saturday, Anthology Film Archives pairs Forough Farrokhzad’s The House Is Black (1962) and Abbas Kiarostami’s The Wind Will Carry Us (1999). As Jeva Lange notes at Screen Slate, House “was shot at a leper colony...