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† His Return

Nov 17, 2020 Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...

Nov 10, 2020 Fernando Solanas On October 16, Fernando Solanas, best known for codirecting the landmark essay film The Hour of the Furnaces (1968) with Octavio Getino, announced on Twitter that he and his wife, Angela Correa, had both tested positive for COVID-19....

Nov 2, 2020 Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...

Oct 28, 2020 Artistic director Thierry Frémaux hosts a special three-day event in the Grand Théâtre Lumière and cautiously looks ahead to next year’s edition.

Oct 26, 2020 A handful of journals offer welcome diversion in anxious times.

Oct 9, 2020 In Scoundrels & Spitballers: Writers and Hollywood in the 1930s, veteran French journalist Philippe Garnier brings to life an enchantingly raffish community of typewriter-pounders who headed west to try their luck in the verbal gold rush set off by the...

Sep 30, 2020 Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...

Sep 29, 2020 Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

Sep 22, 2020 Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...

Plymptopia

Features

Sep 1, 2020 It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...

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