White Man

Nov 12, 2021 — First Person At the end of February of 2020, I watched The Gleaners and I with my boyfriend at BAM. It was, I thought, an ordinary day. We bought tickets in advance because we knew the small theater’s screenings always...

Nov 9, 2021 — Julia Ducournau’s Titane, Jasmila Žbanić’s Quo Vadis, Aida?, and Florian Zeller’s The Father lead with four each.

Nov 4, 2021 — So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”

Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.

Oct 21, 2021 — This year’s round sees a category shake-up and two female writer-directors out front.

Oct 15, 2021 — There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...

Oct 13, 2021 — When I was growing up in the 1970s, the Black Panther Party’s trademark Afros and black leather jackets were a familiar sight. But it wasn’t until I began studying the Black Panthers in my late teens that I became familiar with...

Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.

Sep 17, 2021 — The new 4K restoration of Christopher Petit’s debut feature will screen at the New York Film Festival before opening at the Metrograph.

Sep 13, 2021 — Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.