The Criterion Collection
Aug 14, 2006 — In terms of consistency of both the content and form of his films, Eric Rohmer is without a doubt one of the most distinctive auteurs in the history of cinema. As with the work of Yasujiro Ozu, within minutes—seconds, even—of...
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Essays
Jul 11, 1988 — Cinema has given us any number of tales of the criminal underworld, and explorations of the mindsets of murderers—yet there’s been nothing quite like Shohei Imamura’s searing work.
Jun 23, 2026 — The only favor I ever asked of a twink was for tickets to see John Waters introduce two of his films. I was the sole trans filmmaker enrolled in my school’s program, and I felt it was my right to...
Essays
Jan 11, 2011 — Jean-Pierre Melville’s film Army of Shadows (1969) gives a dramatic account of the extreme dangers faced by the French who resisted the German occupation of 1940–1944. The time of the story is unspecified, but it is probably 1943, late enough...
The legendary director, writer, cinematographer, and producer praises Charlie Chaplin as a father to all filmmakers, reflects on casting Jean-Louis Trintignant in A Man and a Woman after seeing Il sorpasso, and shares why love has been the enduring theme...
Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.
Essays
Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.