RoboCop

Essays

Sep 8, 1998 Paul Verhoeven’s breakthrough American film gleefully satirizes the Reagan era’s pet doctrines of free enterprise and privatization.

Aug 25, 1998 Abeautiful woman is mysteriously beating the bejesus out of a drunk when he suddenly pulls at her hair and it comes off. The now totally bald woman continues smacking him around with her shoe until he falls to the ground....

Aug 25, 1998 Here is an honest, visionary, pulp film, stripped of all romanticism, with characterizations and themes more real and relevant today than ever. To watch Shock Corridor now is to experience the complex, wacky, full-blown masterpiece of one of Hollywood’s great...

Pulp Fiction

Essays

Jun 10, 1996 Ever since Quentin Tarantino’s Pulp Fiction created a sensation at [this year’s] Cannes Film Festival, where it won top honors (the Palme d’Or), it has been swathed in the wildest hyperbole. In fact, it has sparked an excitement bound to...

Odd Man Out

Essays

Dec 4, 1995 While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.

Osaka Elegy

Essays

Jun 5, 1995 Kenji Mizoguchi departed abruptly from his earlier sentimental films into a world of acute realism with this bold critique of the position of women in contemporary Japanese society.

Naked

Essays

Jul 4, 1994 Mike Leigh was born in the north of England in 1943. He was trained in the theater at the Royal Academy of Dramatic Art, and in film at the London Film School. When he arrived in London in the early...

Apr 19, 1994 Rivaled only by Fritz Lang and G. W. Pabst as Germany’s greatest director of the silent age, Friedrich Wilhelm Murnau was a tireless formal innovator exhilaratingly difficult to pin down. If his 1922 horror epic Nosferatu represented an apex of...

Jan 11, 1994 A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.

Ugetsu

Essays

Dec 28, 1993 In his touchstone of postwar Japanese cinema, Kenji Mizoguchi uses woman’s fate to reveal the human cost of oppression.

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