Seyyit Han

Dec 26, 2017 — On January 5, First Look 2018 will open at the Museum of the Moving Image in New York with the U.S. premiere of Blake Williams’s PROTOTYPE, “a work of speculative fiction that takes its starting point from the 1900 hurricane...

Dec 25, 2017 — New York. The Film Society of Lincoln Center’s series Emotion Pictures: International Melodrama rolls on through January 7. “The genre of melodrama, which displays the grand, tragic passions that mark everyday lives while also detailing historical events that knock those...

Dec 23, 2017 — Let’s first take a quick break from 2017 and look back fifty years (as I suspect we’ll be doing a lot in 2018). For Little White Lies, Justine Smith has been rifling through various archives and has put together a...

Dec 22, 2017 — “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...

Dec 21, 2017 — The Trylon Cinema in Minneapolis throws the spotlight on the earliest works of one of French cinema’s most stylish innovators.

Dec 21, 2017 — With D. A. Pennebaker’s groundbreaking concert film, rock music solidified its status as a universal language.

Dec 21, 2017 — The sixty-eighth Berlin International Film Festival, running from February 15 through 25, now has a fresh set of six posters designed by the Swiss agency Velvet. So far, we’ve seen first rounds of titles slated for the Competition and the...

Dec 21, 2017 — The result of a tumultuous production, Orson Welles’s eccentric take on Othello infuses the play with a convulsive rhythm and disorienting sense of abstraction.

Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.

Dec 19, 2017 — Following the first rounds up titles slated for the Panorama and Competition programs, the Berlin International Film Festival now presents sixteen titles lined up for Generation, its section for younger viewers. This time around, we have descriptions from the Berlinale.Generation 14plus303, directed by Hans Weingartner. World premiere. 303 tells...