The Criterion Collection
Nov 19, 2015 — Satyajit Ray’s long-heralded cinematic achievement was influenced by European cinema but also grew out of long-standing Indian artistic tradition.
Oct 20, 2015 — Taiwanese filmmaker Hou Hsiao-hsien is back with an awe-inspiring martial-arts epic.
Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.
Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...
Jul 11, 2012 — Performances Of all the stultified suburban folks in The Ice Storm, Ang Lee’s diamond-sharp adaptation of Rick Moody’s novel about two Connecticut families in the early seventies, Sigourney Weaver’s Janey Carver might appear the least in need of attention. Most...
Apr 12, 2011 — With his 1970 gangster epic Le cercle rouge, Jean-Pierre Melville finally landed his white whale.
Essays
Feb 22, 2011 — Andrea Arnold seemed to emerge out of nowhere with Red Road (2006), her revelatory, shrewdly observed debut feature about voyeurism and sexual revenge. That film won Arnold multiple awards, and she had already earned an Oscar for her short Wasp...
The creator of perhaps cinema’s most purely spiritual works, this Danish master made films that explored the eternal battle between the spirit and the flesh.
Feb 1, 2011 — This essay was originally published in the booklet accompanying the 2006 DVD release of The Double Life of Véronique. A new life experience is in the air today, a perception that explodes the form of the linear narrative and renders...
Nov 26, 2010 — Early in Peter Bogdanovich’s The Last Picture Show, as the wind from the Texas plains whips the small town of Anarene, the high-school senior Sonny Crawford (Timothy Bottoms) halts his recalcitrant pickup truck—Hank Williams is warbling “Why Don’t You Love...