The Criterion Collection
Essays
Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.
Nov 5, 2014 — A review of the American auteur’s posthumously published novel
Apr 19, 2009 — “Why Sam Fuller?” a new essay by Tag Gallagher, in the latest issue of Senses of Cinema, asks. Aficionados might wonder, why even ask? But perhaps they forget that the two-fisted termite art of this now much-heralded genre filmmaker was...
Features
Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.
In Theaters
Jun 7, 2012 — Repertory PicksA film noir series is currently casting a long shadow over the Omaha movie theater Film Streams. The upcoming week’s selections include two prime crime melodramas from the fifties, both frenetic dispatches from the height of the cold war:...
The Daily
Nov 10, 2023 — Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.
Sneak Peeks
Aug 26, 2018 — The director and the star of Smithereens reminisce about how their landmark film immortalized the mean streets and crumbling buildings of 1980s downtown New York.
Feb 18, 2026 — After crucial stints in Silver Jews and Lambchop, acclaimed musician William Tyler emerged with a string of albums that pair his country rearing and classical enthusiasm with his ardor for postmodern experimentation, field recordings, and static-soaked melodies. His albums include...