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House of Anubis: The Touchstone of Ra

Orpheus

Essays

Apr 24, 2000 When I make a film, it is a sleep in which I am dreaming. Only the people and places of the dream matter. I have difficulty making contact with others, as one does when half-asleep. If a person is asleep...

Jan 11, 1999 It was quite a surprise to learn that David Lean had not read Charles Dickens’ Great Expectations before he embarked on his film version in 1945. The closeness of the adaptation, the understanding of the characters, make one swear it...

High and Low

Essays

Oct 12, 1998 Are there cultural purists still remaining who would argue that the “Westernized” title of Akira Kurosawa’s 1963 masterpiece—High and Low—throws polluted water on the cosmological fire of its given name: Tengoku to jigoku—literally, Heaven and Hell?Kurosawa’s once insisted-upon reputation as...

Citizen Kane

Essays

Dec 3, 1984 Since the dawn of the sound era, an estimated 25,000 feature-length films have been produced—and that’s in the English language alone. When, in the early 1960s, an international group of film critics were polled as to their “number-one film of...

Sep 30, 2016 Amy Fine Collins is special correspondent to Vanity Fair, where for over twenty years she has written features about fashion, art, Hollywood, and society. An arbiter and owner of Vanity Fair’s international best-dressed list since 2003, she was inducted into...

Jul 30, 2013 A genuine American movie legend, the eighty-seven-year-old producer and director Roger Corman has been in the film business since the early 1950s. He is perhaps best known for the low-budget horror films he issued with remarkable speed in the early...

The cinematographer of Bound and The Matrix talks about the thrill of watching John Ford’s Stagecoach for the first time, praises Martin Scorsese’s love of music, and picks up a recommendation from his granddaughter—Nobuhiko Obayashi’s House.

The legendary filmmaker talks about the brilliance of Targets, his memories of collaborating with a young Martin Scorsese, and his experiences as a story analyst at Twentieth Century-Fox and as a distributor of art-house classics like Amarcord.

D. A. Miller, who taught for many years at the University of California, Berkeley, is most recently the author of Hidden Hitchcock (University of Chicago Press) and Second Time Around: From Art House to DVD (Columbia University Press).

Nov 2, 2022 While the Wexner Center surveys her career, TCM’s podcast tells the full life story of Pam Grier.

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