HIM

Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.

Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.

Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.

Sep 5, 2019 — Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.

Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.

Sep 4, 2019 — With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.

Sep 4, 2019 — After Laurence Olivier and Kenneth Branagh, it’s Timothée Chalamet’s turn to lead the English to the Battle of Agincourt.

Sep 3, 2019 — Early verdicts diverge as widely as opinions on how to respond to the very idea of a new film by Roman Polanski.

Sep 3, 2019 — Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.

Sep 3, 2019 — In the early sixties, John Schlesinger made a name for himself as part of the British New Wave, as the energetic, gritty realism of his first few features—A Kind of Loving, Billy Liar, and Darling (for which Julie Christie won...