The Criterion Collection
Essays
Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...
Jun 17, 2018 — “The music for A Woman Under the Influence is basically about love,” says Bo Harwood, the longtime collaborator of John Cassavetes’s who composed that film’s score. “It’s about loving somebody, loving your family, loving them no matter what.” This purity of emotion...
Jun 15, 2018 — Fordlandia will tell the true story Henry Ford’s failed attempt at recreating an American town in Brazil.
Jun 13, 2018 — Over seven films, Dorsky explores the changing light of four seasons.
Jun 13, 2018 — Can a screenwriter influence—even change—the course of film history? With his script for Rashomon (1950), Shinobu Hashimoto, who turned 100 this year, did just that. The film launched its director—Akira Kurosawa—to world fame and brought international audiences to the glory...
The Daily
Jun 11, 2018 — New on the shelves this season are volumes on David Lynch, Stanley Kubrick, and Ernst Lubitsch.
Jun 11, 2018 — Alexander Payne will direct the story that originally appeared in the New Yorker in 2013.
Jun 8, 2018 — San Francisco’s festival of experimental film prompts a new taxonomy from Michael Sicinski.
Jun 8, 2018 — Both Italian directors broke from neorealism to head off in entirely different directions.
The Daily
Jun 7, 2018 — The Ukraine-based filmmaker saw her work lauded and banned.