The Criterion Collection
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
In Theaters
May 23, 2013 — Repertory PicksAudiences in New York have a chance to see a rarely screened cinematic spellbinder on the big screen this Memorial Day weekend. On Sunday, František Vláčil’s singular Czech triumph Marketa Lazarová will be playing at Anthology Film Archives as...
Essays
May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.
May 7, 2013 — Blame it on the Madison. Or blame it on Arthur, Franz, and Odile’s gleeful race through the Louvre in an attempt to break the world record (held by an American, of course) for the quickest visit ever. Blame it on...
May 3, 2013 — Did You See This?• Watch (above) or read Steven Soderbergh’s already famous state-of-the-art address. • Noah Baumbach and Greta Gerwig hit the streets. • Talk about micro-cinema! • Charting the course of neorealism across continents • Talking to Olivier Assayas,...
Apr 26, 2013 — Did You See This?• Max von Sydow goes to L.A. • The Game, for “real” • The Blob, for real • Style icons from Cary Grant to David Bowie • Get your Tilda on • Making it big in New...
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Tech Corner
Apr 22, 2013 — Restoration SpotlightShot in VistaVision and Technicolor, Richard III is the most eye-catching of Laurence Olivier’s essential big-screen Shakespeare adaptations. For years, it couldn’t be seen in its original glory, due to lost footage, faded colors, chemical staining, and missing frames....
Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.
Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.