“The Story of Julesburg” (episode of Pony Express , ) (Scriptwriter

Oct 6, 2017 — “After a number of impressive short films and one documentary hybrid feature, the 2013 Tonight and the People, French artist Neïl Beloufa offers Occidental, the closest he’s yet come to a conventional feature film,” begins Michael Sicinski, writing for Cinema...

Oct 5, 2017 — “When you make a movie called Spielberg,” begins Mike Hale in the New York Times, “and its subject agrees to sit for what turns out to be thirty hours of interviews—and his sisters sit down with you, as do his...

Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...

Oct 3, 2017 — New York. Paul Schrader’s First Reformed (reviews from Venice and Toronto) has been added to the lineup of the ongoing New York Film Festival as a Special Event. There’ll be a single screening on Friday evening.Lucrecia Martel, whose Zama is part of the festival’s Main Slate,...

Sep 30, 2017 — “Nine years in the making, Western draws its title from [Valeska] Grisebach’s generic source inspiration, the American Western,” wrote Michael J. Anderson in a dispatch back to the Oklahoma City Museum of Art a couple of weeks ago. “Noted for...

Sep 29, 2017 — During this month’s Toronto International Film Festival, we began seeing reviews and interviews that would eventually make their way into the new issue of Cinema Scope: Adam Nayman’s conversation with Denis Côté about A Skin So Soft, for example, and...

Sep 29, 2017 — New York. The big event in town is, of course, the New York Film Festival, which gets going in earnest today following last night’s premiere of Richard Linklater’s Last Flag Flying. At the top of the NYFF 2017 Index, I’ve linked to an interview with festival director Kent...

Sep 28, 2017 — “If you’ve never seen The Last Detail, Hal Ashby’s 1973 comedy-drama about three Navy sailors on a debauched and ultimately tragic road trip, there are several reasons to rectify that,” begins Dana Stevens at Slate. “There’s a devilishly charismatic performance...

Sep 21, 2017 — The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...

Sep 17, 2017 — The Toronto International Film Festival has a single competitive program, Platform, now in its third year. This year, jurors Chen Kaige, Małgorzata Szumowska, and Wim Wenders have awarded the Toronto Platform Prize (25,000 Canadian dollars) to Warwick Thornton’s Sweet Country,...