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The Men

Jan 17, 2023 One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Hope and Gratitude

The Daily

Jan 3, 2022 Both as an art and a business, cinema faces serious challenges, but the past year offers reasons for optimism.

Mar 9, 2021 Stanley Kubrick’s lost-and-found Lunatic at Large and Michelangelo Antonioni’s Technically Sweet are back in the works.

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

Jan 5, 2021 The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....

Nov 20, 2020 Standing before his friend Basil Hallward’s portrait of him, the paint barely dry, Dorian Gray implores to some unseen force: “If it were I who was to be always young, and the picture that was to grow old . ....

September Books

The Daily

Sep 23, 2020 From Hitchcock’s orbit to The Architecture of Cinematic Spaces, here’s some of this month’s best writing on new books.

Oct 26, 2019 With her resplendent early feature An Angel at My Table (1990), Jane Campion widened the scope of her storytelling, adapting the memoirs of New Zealand writer Janet Frame for a decades-spanning, convention-shattering biographical film. As it follows Frame from childhood...

Oct 3, 2019 By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...

Jul 1, 2019 Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

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