So Can I

Jun 9, 2026 — Over the course of four decades, the great Mauritanian French filmmaker Med Hondo created a stylistically diverse, politically trenchant body of work that frequently tapped into his own Pan-African roots and explored the existential and material stresses of Black people...

Jun 1, 2026 — The world’s most desolate film festival expands to nearly a hundred theaters in seventy-three cities.

May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.

May 19, 2026 — New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.

May 19, 2026 — Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...

May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

May 11, 2026 — We begin with the Marilyn Monroe centenary and move on to thrillers and collections of poetry and critical essays.

May 8, 2026 — Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.

Apr 30, 2026 — The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.

Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...