May 28, 2026 Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Hope and Fjord

The Daily

May 20, 2026 There’s zero consensus when it comes to the latest films by Na Hong-jin and Cristian Mungiu.

Apr 30, 2026 The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.

Apr 28, 2026 In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Apr 20, 2026 For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”

Jan 29, 2026 Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.

Nov 12, 2025 In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.

Visualizing Dread

The Daily

Oct 31, 2025 A packed batch this week, from die-hards by Kiyoshi Kurosawa and Jacques Tourneur to new films by Kathryn Bigelow and Radu Jude.

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