The Criterion Collection
Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.
The Daily
May 15, 2018 — The story of a family teetering on the edge of poverty scores a solid first round of reviews.
The Daily
Apr 8, 2018 — Saige Walton and Nadine Boljkovac introduce the dossier “Materializing Absence” in the new issue of Screening the Past: “We start from the central premise that absence in screen media is not ‘nothing’—that absence itself is always invested with material attributes....
Aug 8, 2017 — This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.
Aug 4, 2017 — Olivier Assayas’s next project is E-book, a “full-blown comedy” starring starring Juliette Binoche, Guillaume Canet, Vincent Macaigne, Christa Theret and Pascal Gregory, report John Hopewell and Emiliano Granada for Variety. In Locarno, where he’s currently presiding over the competition jury,...
The Daily
Jun 8, 2017 — When we think of American cinema in the 1970s, it’s the “New Hollywood” that first comes to mind, landmark films such as The Godfather and Taxi Driver, Nashville and Chinatown. In his new book, Opening Wednesday at a Theater or...
Nov 2, 2016 — The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.
In Theaters
Sep 8, 2016 — Mike Leigh’s 1990 comedy Life Is Sweet, showing at the Trylon microcinema as part of a monthlong retrospective of the director’s early films, presents an intimate portrait of working-class life in Thatcher-era north London.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.