The Criterion Collection
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
The Daily
May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
Feb 14, 2022 — A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.
The Daily
Jan 13, 2022 — Yes, he opened doors, but he also brought a singular presence to American cinema.
Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.
The Daily
Dec 30, 2021 — Claire Denis, Martin Scorsese, Park Chan-wook, Kelly Reichardt, David Cronenberg, Josephine Decker, Yorgos Lanthimos, Mia Hansen-Løve—the list goes on.
The Daily
Dec 16, 2021 — Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.
Dec 14, 2021 — In 1968, soon after he graduated from the Film and Television Institute of India, Mani Kaul made an arresting short titled Forms and Designs. It observes artisans at work across the country, some swimming alone against the tide of mass...