The Criterion Collection
Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.
Jan 30, 2013 — The improvisational arts of filmmaking, jazz, and chili.
Essays
Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Jan 2, 2013 — Performances Hirokazu Kore-eda’s Still Walking is an exquisitely lived-in portrayal of family life. It takes place largely over the course of one day, at the home of the aging Yokoyamas, Toshiko (Kirin Kiki) and Kyohei (Yoshio Harada), as they welcome...
Dec 18, 2012 — One Scene Every time I watch Ingmar Bergman’s Scenes from a Marriage, I am stunned that a film could be so full. Here is this thing stuffed with detail, design, behavior, emotion, surprise, and skill. Like Fanny and Alexander and...
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.