One Shot

Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

Jun 20, 2019 — When French auteur Bruno Dumont emerged on the film-festival circuit at the end of the 1990s with his debut feature, La vie de Jésus, and his Cannes-award-winning international breakthrough L’humanité, he immediately polarized audiences with his pitiless vision of human...

Jun 19, 2019 — To mark the anniversary, editors are highlighting some of her best work while critics and acolytes measure her impact.

Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.

Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.

Jun 13, 2019 — She turned roles as women past their prime into her greatest triumphs.

Jun 12, 2019 — Some of the best new independent films of the past year are lined up for the eleventh edition.

Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...

Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...

Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.