The Criterion Collection
Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.
The Daily
Jun 15, 2017 — With Kino Lorber’s new restoration opening at the Metrograph in New York tomorrow, where it’ll be screening through Wednesday, and then playing at Cinefamily in Los Angeles from July 7 through 13, we begin with Alan Scherstuhl in the Village...
In Theaters
Jun 15, 2017 — Repertory PicksEvery day this weekend, on New York City’s Lower East Side, the Metrograph will give moviegoers the chance to see Todd Haynes’s 1995 film Safe in a 35 mm print. An elliptical drama suffused with existential dread, Safe revolves...
The Daily
Jun 14, 2017 — This weekend marks the fiftieth anniversary of the Monterey International Pop Festival, “a watershed mega-concert that introduced America to the Jimi Hendrix Experience, the Who and Ravi Shankar; and also provided the first big-time platform for Janis Joplin and Otis...
Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.
Jun 7, 2017 — The Spanish filmmaker, whose short film Mystery is featured on the Criterion Channel, discusses his love for Luis Buñuel and the influence of Catholicism on his worldview.
The Daily
Jun 5, 2017 — Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...
Jun 5, 2017 — Known for playing sexy noir toughs, Ralph Meeker underwent a startling transformation as the anguished, slovenly male lead in Jack Garfein’s psychological drama.
Jun 2, 2017 — In this supplemental feature from our newly released edition, the cast of Terry Zwigoff’s first narrative film discuss the creative freedom they experienced while working with him.
Jun 1, 2017 — By turns gritty and lyrical, this portrait of the Syria-Turkey border brings together two pioneers of Turkish cinema.