The Criterion Collection
Essays
May 25, 2012 — The following article by the filmmaker himself originally appeared in the German newspaper Die Filmwoche on May 20, 1931.
In Theaters
May 23, 2012 — Repertory PicksWhen most people think of Peter Falk, who died in June 2011, they recall his indelible embodiment of TV detective Frank Columbo. Yet movie lovers also remember the legendary, smoky-voiced actor for his slew of unforgettable big-screen roles, from...
May 8, 2012 — To start on a personal note: I wrote a book about La haine that came out in November 2005, just as the Paris suburbs (banlieues) erupted in an unprecedented wave of violence. Every night, as in the Bob Marley song we...
Apr 24, 2012 — An unverifiable, if heartfelt, assertion: For the quarter century between 1945 and 1970 (or from Rome Open City to Fellini Satyricon), the world’s greatest popular cinema was produced in Italy—a realm of glamorous superstars, sensational comedians, and great genre flicks....
Mar 27, 2012 — The mysterious letter was signed “Joe.” David Lean’s lawyer had sent me a batch of old correspondence. Struggling with a biography of Lean, I was desperate for any leads, and this one seemed worth following up. But how does one...
Essays
Mar 20, 2012 — Even more than with most documentaries that set out to record events as they happen, there was a lot of luck involved in producing The War Room (1993). When they turned their attention to Bill Clinton’s presidential campaign in 1992,...
Mar 9, 2012 — The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.
In Theaters
Mar 7, 2012 — A celebration of one of the great cosmopolites of the twentieth century, in one of the cosmopolises he adored.
Short Takes
Mar 1, 2012 — Louis Malle’s God’s Country is a remarkable account of one hamlet in the heartland of the United States—Glencoe, Minnesota—as seen first in 1979 and then again in 1985. Malle was fascinated by what he saw as a very American brand...
Feb 24, 2012 — The writer reflects on the decades-long creative collaboration and friendship between his father, playwright and television writer Elihu Winer, and John Voelker, judge and author.