Sisu

Oct 5, 2017 — “When you make a movie called Spielberg,” begins Mike Hale in the New York Times, “and its subject agrees to sit for what turns out to be thirty hours of interviews—and his sisters sit down with you, as do his...

Oct 5, 2017 — This is the documentary that put an end to Steven Spielberg’s plans to produce a narrative feature—to be directed by Sam Mendes—based on Gay Talese’s book, The Voyeur’s Motel. Spielberg had bought the rights after the New Yorker ran an...

Oct 4, 2017 — Starting today, and on through October 15, the sixty-first BFI London Film Festival will present over 240 features—premieres, revivals, and hand-picked highlights from the year’s festival calendar so far—and nearly 130 short films. Our guide here won’t—can’t—be complete, but with...

Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...

Oct 2, 2017 — The celebration of the hundredth anniversary of the birth of Robert Mitchum—he was born on August 6, 1917 and died in 1997, just one month short of his eightieth birthday—began in earnest this summer when Il Cinema Ritrovato presented its...

Oct 2, 2017 — New York. “There could be no better film to open the Flaherty NYC Presents: Out from Under series playing at Anthology Film Archives tonight than A Litany for Survival [1996], the lovely and inspiring portrait on one of the twentieth century’s ultimate warriors: Audre Lorde.” Sonya Redi at...

Oct 1, 2017 — Last week, Deadline’s Amanda N’Duka reported that Julie Dash (Daughters of the Dust) “has signed on to direct an upcoming biopic on Rosa Parks, which will center on the decade before her seminal moment on a Montgomery bus, when Parks,...

Oct 1, 2017 — “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...

Sep 30, 2017 — “I have seen Zama, and it does indeed have a llama,” announces Cinema Scope editor Mark Peranson in the new issue. “The mysterious circumstances of the film’s long-overdue birth into this world continue with an out-of-competition slot in Venice, an...

Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...