Power

Jul 17, 2009 — The Academy of Motion Picture Arts and Sciences’ acclaimed, meticulously restored 35 mm print of Akira Kurosawa’s Rashomon, which Janus Films is currently touring across the country, opens today at Baltimore’s historic Senator Theatre, and in a feature for the...

Jul 14, 2009 — The decade-long Apollo program was the largest and most expensive undertaking in the history of man that wasn’t devoted to a war. During the four years between 1968 and 1972, there were nine manned flights to the moon. Twenty-four men...

Jun 23, 2009 — The summer 2009 issue of Film Quarterly (now in its fiftieth year!) is out, and in it renowned professor and film theorist Laura Mulvey presents a close reading of Max Ophuls’s The Earrings of Madame de . . . ,...

May 20, 2009 — Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...

May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.

May 11, 2009 — Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...

Apr 30, 2009 — The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...

Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.

Mar 30, 2009 — Among the great Polish filmmakers—Krzysztof Kieslowski, Krzysztof Zanussi, Agnieszka Holland, Roman Polanski—Andrzej Wajda stands out as the one most concerned with national identity and memory.

Mar 25, 2009 — J.Hoberman’s got a sharp and snazzy piece in the New York Times on American expat director Jules Dassin—just in time for Film Forum’s fifteen-film retrospective of his career. The blacklisted filmmaker of black-hearted crime dramas (and a couple of hot-blooded...