Jan 25, 2022 By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.

Jan 24, 2022 Two new books on the wildly inventive comedian and filmmaker make a complementary pair.

Jan 21, 2022 When I received the email asking me to work on the cover art for the Criterion Collection edition of Citizen Kane, my emotions quickly went from pure joy to complete dread. What can be done for a film of this...

Jan 19, 2022 The competition will premiere new work from Hong Sangsoo, Claire Denis, Ursula Meier, Denis Côté, Ulrich Seidl, and Paolo Taviani.

Jan 18, 2022 Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Jan 14, 2022 This week we’re watching and reading about Tom Noonan, Jean Vigo, Marie-Claude Treilhou, and Miklós Jancsó.

Jan 13, 2022 Berlin announces a “new concept” for this year’s in-person edition, Sundance adds two films, and Slamdance will launch a Channel.

Jan 12, 2022 Gifted with the looks and suavity of a young Elvis, the “Wicked Game” crooner shares with David Lynch an obsession with 1950s Americana—and a knowledge of the darkness at its heart.

Jan 11, 2022 A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Jan 10, 2022 The writer and director was on top of the world before the going got tough.

Current Page
150
of 441

You have no items in your shopping cart