The Criterion Collection
Apr 26, 2009 — The British film magazine Sight & Sound dedicates its May issue to the fiftieth anniversary of the French New Wave, which it dates to the first screening of François Truffaut’s The 400 Blows (on May 4, 1959, at the Cannes...
Production Notes
Apr 22, 2009 — Some of you might have seen the news item on our website regarding the Jacques Tati “centennial-plus” and the exhibits around Paris paying homage to the inventive filmmaker. I had the good fortune to be in the City of Lights...
Nov 10, 2008 — The life and work of American writer and painter Manny Farber, one of the most celebrated and idiosyncratic voices in the history of film criticism, will be honored by New York's Film Society of Lincoln Center in a two-week festival—simply...
Nov 2, 2008 — It’s all things Quantum of Solace these days, with the latest in the Bond franchise opening next week. And Newsweek took the opportunity to ask Swiss director Marc Forster what his film influences were. He came up with a very...
This explosion of vibrant, innovative, and highly self-conscious films from France in the late 1950s and early 1960s changed the game.
Jun 23, 2008 — Five years of increasingly horrific news from the former Yugoslavia made Milcho Manchevski’s searing yet lyrical film timely to a degree that few filmmakers have ever achieved.
May 19, 2008 — Top fashion models bleeding from sharp-edged aluminum dresses. A comic-strip American superhero oozing stigmata. A naked couple electrically zapped for the delectation of the TV-viewing public. These are some of the images from the fiction films of American expatriate in...
Feb 13, 2008 — We’ve been getting some questions about the three children’s classics from Janus Films. One good customer writes: “I’m wondering what the situation with The Red Balloon, White Mane, and Paddle to the Sea is. They are listed on the Criterion...
Jan 21, 2008 — Agnès Varda seizes the kind of immediacy and tension associated, at the start of the sixties, with the cinema verité documentary movement and uses it to create a new form of fiction.
Jan 21, 2008 — In September 1997, I saw Agnès Varda introduce a brand-new 35 mm print of her first feature film, La Pointe Courte (made in 1954), to an admiring audience at Yale University. More astonishing than the luminous black-and-white images was Varda’s...