The Criterion Collection
The actor talks about how Richard Linklater’s Slacker turned him on to independent cinema, praises the soundtrack for Paris, Texas, and selects a horror classic by George A. Romero.
The musician and author reminisces on her formative experiences watching Federico Fellini movies with friends, shares her love for the visual and emotional composition of Yi Yi, and talks about the haunting naturalism of Hirokazu Kore-eda’s work.
The drag performer, author, and comedian praises Andrei Tarkovsky’s tableaus, shares an emotional experience watching All of Us Strangers, and reflects on how Pina Bausch revolutionized dance theater.
The director of Caught by the Tides shares his affection for Alfonso Cuarón’s Roma, describes City Lights as being “full of cinematic feeling,” and selects favorites by Edward Yang, Robert Bresson, and Yasujiro Ozu.
The Oscar-winning composer selects favorite films that continue to excite him, including Andrei Rublev and Sid & Nancy; praises the transportive nature of Les Blank’s work; and shares how Nicolas Roeg changed his life.
The director of Compensation shares what Bruce Lee’s films taught her about cinematic movement, praises Sarah Maldoror’s revolutionary Sambizanga, and shouts out filmmakers she loves, from Cauleen Smith and Cheryl Dunye to Alice Diop and Ousmane Sembène.
The director of Flow praises the mixture of abstraction and emotion in Woman in the Dunes, talks about how Martin Scorsese played by his own rules with After Hours, and selects his comfort movie, Fantastic Mr. Fox.
The director of Blink Twice is joined by the film’s star in sharing their love for John Cassavetes and Gena Rowlands, praising Paris Is Burning as “the greatest documentary of all time,” and selecting favorites, from Harlan County USA and...
The philosopher names Trouble in Paradise “Ernst Lubitsch’s ultimate masterpiece,” praises Peter Weir’s early films, and calls the final scene of City Lights “the most sublime ending.”