The Criterion Collection
Production Notes
Jun 26, 2017 — 1. Before ever setting foot in front of a camera, Ivor Novello found fame as a music composer in 1914 with his beloved wartime anthem “Keep the Home Fires Burning (’Till the Boys Come Home).” Over a million copies of...
The Daily
Jan 21, 2022 — This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.
The Daily
Jun 13, 2023 — The star of Miloš Forman’s Hair, Sidney Lumet’s Prince of the City, and Joyce Chopra’s Smooth Talk was seventy-one.
The Daily
Dec 3, 2021 — In the spotlight this week: Mario Monicelli, Michael Snow, Gordon Parks, Fronza Woods, and the Japanese New Wave.
The Daily
Feb 7, 2018 — New York. The Tribeca Film Festival has announced that its seventeenth edition will open on April 18 with the world premiere of Lisa D’Apolito’s Love, Gilda, a portrait of Gilda Radner, who “captivated millions of television viewers as an original...
Nov 22, 2019 — Jean-Jacques Beineix’s vibrant art-house sensation Betty Blue (1986) introduced to the world, in twenty-one-year-old Béatrice Dalle, an extraordinary new acting talent. Fully inhabiting the warmth, sexiness, and increasingly violent self-destructiveness of the title character, whose stormy love affair with an...
The Daily
Feb 10, 2018 — “Over a decade and a half in the making,” begins Mitch Anzuoni in the new issue of the Brooklyn Rail, “From The Third Eye: The Evergreen Review Film Reader is the first comprehensive look at Barney Rosset and Grove Press’s...
Jul 21, 2011 — Performances When people talk about Mike Leigh’s Naked, the conversation is inevitably focused on David Thewlis’s nerve-shredding, tour de force central performance as the callous drifter Johnny, who slices through life like a straight razor. Yet consider how impossible his...
Dec 3, 2013 — This scathing drama about a toxic society established Elio Petri as an important director of popular political entertainment in Italy.
Interviews
Jun 30, 2025 — An up-and-coming director reflects on the resourcefulness and scrappy ingenuity that went into making his three films, now playing on the Criterion Channel.