The Criterion Collection
Apr 12, 2011 — The following is excerpted from Melville on Melville, a book-length interview by Rui Nogueira first published in 1971. How do you feel about your twelfth film, Le cercle rouge? Since there’s no knowing if there will be a thirteenth, l...
Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.
Sep 21, 2010 — Warrendale: Man of ActionAllan King was one of cinema’s most acute chroniclers of unadorned reality, but the term documentary seems too puny to describe the intense, passionate stories he contrived to fashion from that reality. King’s early nonfiction features are...
Features
Aug 13, 2010 — The Docks of New York When John Grierson, the Scotsman whose absolute devotion to realism on film—he coined the word documentary and created the National Film Board of Canada—was asked how he’d enjoyed a screening of a now-lost Josef von Sternberg...
Nov 2, 2009 — The following, written in 1986, is from the first treatment for Wings of Desire. And we, spectators always, everywhere,looking at, never out of, everything!—Rilke, “The Eighth Elegy” At first it’s not possible to describe anything beyond a wish or a...
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Jun 16, 2008 — Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Jan 6, 2003 — Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.