The Criterion Collection
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.
Essays
Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.
May 7, 2013 — Blame it on the Madison. Or blame it on Arthur, Franz, and Odile’s gleeful race through the Louvre in an attempt to break the world record (held by an American, of course) for the quickest visit ever. Blame it on...
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Jul 31, 2012 — Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.
Jul 24, 2012 — Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.
Jun 28, 2011 — Black Moon may well deserve the title of Louis Malle’s film maudit. The release in September 1975 of what he called his “mythological fairy tale taking place in the near future” disconcerted many, especially as people had expected him to...
Apr 12, 2011 — The following is excerpted from Melville on Melville, a book-length interview by Rui Nogueira first published in 1971. How do you feel about your twelfth film, Le cercle rouge? Since there’s no knowing if there will be a thirteenth, l...
Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.