The Criterion Collection
The Daily
Dec 15, 2023 — Pedro Almodóvar looks back, Roy Andersson empathizes, and Alice Diop addresses the state of cinema.
The Daily
Mar 17, 2023 — This week: Good news from repertory programmers, new columns, and a talk with Louis Garrel.
The Daily
Dec 16, 2022 — This week: Molly Ringwald and Caroline Champetier on Godard, interviews with Tony Kushner and Park Chan-wook, and the new Brooklyn Rail.
Jan 25, 2022 — By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.
The Daily
Jan 21, 2022 — This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.
Essays
Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.
The Daily
Feb 19, 2021 — This week’s round takes us from Italy in the 1950s and ’60s to America in the ’70s and Hong Kong in the ’90s.
Essays
Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.