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The Sword

Mar 12, 2019 The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.

Nov 8, 2017 Dave Kehr’s long reviews for the Chicago Reader, published between 1974 and 1986, comprise “a body of work that, together with Kehr’s columns for Chicago magazine in the 1980s, strikes me as being the most remarkable extended stretch of auteurist...

Sep 20, 2016 Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.

Jun 30, 2008 The idea of self-fashioning—of deliberately taking the raw materials of one’s body and mind and transforming them into a work of art—has been with us at least since the Renaissance. Yet no one, not even Oscar Wilde, has so rigorously...

Nov 10, 2020 In the half-light of the opening shot of Girlfriends, a woman asks, “What are you doing?” and another responds, “Go back to sleep.” You could dismiss this as a bit of passing dialogue—or you could see in it a larger...

Oct 1, 2020 Martin Scorsese’s World Cinema Project No. 3 The film world and ordinary people(s) in the four corners of the globe have long awaited the home-video release of Soleil Ô (Oh, Sun, 1970), the groundbreaking feature debut of one of Africa’s...

Kei Sato 1928–2010

Short Takes

May 11, 2010 The great Japanese actor Kei Sato passed away last week; he was eighty-one years old. You may not recognize Sato’s name, but if you’ve seen a Japanese film in the past fifty years, there’s a reasonably good chance you’ve fallen,...

Oct 24, 2005 Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.

Henry V

Essays

Jun 21, 1999 Laurence Olivier’s Henry V today seems like nothing less than a miracle in answer to the Chorus’s call for “a muse of fire that would ascend the brightest heaven of invention.” It’s a dazzling adaptation of a Shakespeare play, made...

Jul 8, 1991 James Bond: “Do you expect me to talk?” Goldfinger: “No, Mr. Bond, I expect you to die!” Goldfinger, arguably the best of all the Bond films, features an outrageous plot with a very realistic sense of danger. The third James...

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