The Shout

Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...

The legendary actor shares his love for the Akira Kurosawa classics Red Beard and Ikiru, recalls how Tatsuya Nakadai was his teacher when he first began acting, admires the visual storytelling of City Lights, and shouts out his latest collaborator,...

Dec 29, 2008 — It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...

Apr 16, 2007 — Following debates about tensions between police and immigrant communities in France, director Mathieu Kassovitz began a public correspondence with the right-wing minister of the interior Nicolas Sarkozy.

Sep 3, 2007 — As the opening credits for Night on Earth begin to roll, we are informed that the film is a Locus Solus Production. A curious name, no doubt unfamiliar to most people, but one that reveals a great deal about Jim...

The legendary musician, filmmaker, and visual artist talks about The Color of Pomegranates and how it challenges the idea of what a film can be, shouts out Neil Young’s Dead Man score, and shares his affection for the sentimentality in...

The award-winning writer, director, producer, and critic shouts out a Marlon Riggs retrospective he programmed in Brazil, recalls watching Albert Brooks’s Lost in America on VHS in the eighties, and shares how Agnès Varda became an “imaginary friend” to him...

Nov 25, 2024 — From Wednesday through Sunday, the Cinematheque française will present Restaurations et raretés, Best of 2024.

Jul 23, 2024 — Chen Kaige’s sweeping epic chronicles the history of twentieth-century China through the story of two childhood friends, contrasting the unchanging traditions of their Beijing-opera milieu with the nation’s swift and turbulent transformation.

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.