The Quiet Son

Sep 30, 2020 — Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.

Mar 31, 2025 — The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

Jun 21, 2024 — Join us on Sunday, June 30, for the premiere; afterwards, Opus will stream exclusively on the Criterion Channel.

Jun 15, 2021 — These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.

Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.

Apr 17, 2018 — The seventeenth Tribeca Film Festival opens tonight in New York with Love, Gilda, Lisa D’Apolito’s portrait of beloved comic actress Gilda Radner, and screens around one hundred more features before wrapping on April 29. Throughout the festival’s run, I’ll be...

Jul 12, 2017 — La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...

May 18, 2017 — Loveless is “two hours of gorgeously gloomy existential despair courtesy of the well-regarded Russian filmmaker Andrey Zvyagintsev,” writes Justin Chang in the Los Angeles Times. “Often touted as an heir to Tarkovsky, Russian cinema’s other famously austere Andrey, Zvyagintsev previously...

Mar 13, 2012 — In the becalmed atmosphere of today’s Hollywood, it’s hard to imagine the tumult that greeted The Last Temptation of Christ when it was released in 1988. Brilliantly directed by Martin Scorsese, this adaptation of Nikos Kazantzakis’s imaginative retelling of the...

Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...