The Criterion Collection
On the Channel
Jul 27, 2017 — Charlie Chaplin’s Monsieur Verdoux is one of the most unsettling comedies of its era and a brilliant showcase for his talent for mixing modes of comedic performance.
Short Takes
Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Jun 21, 2024 — An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.
The Daily
Aug 1, 2023 — This year’s festival will premiere new work from Lav Diaz, Radu Jude, and Lucy Kerr and host conversations with Harmony Korine and Tsai Ming-liang.
The Daily
Jul 7, 2023 — This week gives us a new Cinema Scope, an Ernst Lubitsch podcast, and an interview with John Woo.
Sep 18, 2017 — New York. “The Whole World Sings: International Musicals, a weeklong, thirteen-film series at the Quad, is an education in song-and-dance practices outside the Hollywood one,” writes Nick Pinkerton for 4Columns. “René Clair’s Le Million (1931) [image above] is the earliest...
The Daily
Jul 15, 2017 — “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...
On the Channel
Apr 27, 2017 — The capstone to Polish filmmaker Krzysztof Kieślowski’s brilliant career, the Three Colors trilogy explores the principles of the French Revolution—liberty, equality, and fraternity—through a series of intricately layered human dramas, culminating in 1994’s Oscar-nominated Red. This gorgeously photographed meditation on...
On the Channel
Jan 29, 2018 — In the latest episode of Observations on Film Art, now playing on the Criterion Channel on FilmStruck, professor Jeff Smith discusses Robert Altman’s playful experimentation with genre in his 1992 film The Player.