The Criterion Collection
Production Notes
Sep 3, 2018 — The producers behind our edition of Tomás Gutiérrez Alea’s masterpiece share stories they discovered from researching the film and the turbulent political climate that inspired it.
The Daily
May 25, 2017 — In Tuesday’s dispatch to the Village Voice from the Cannes Film Festival, Bilge Ebiri wrote about one of the best films he’d seen so far, The Rider, “directed by Chloé Zhao (whom I interviewed). It follows a young rodeo cowboy...
The Daily
Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.
Jul 25, 2023 — In his five collaborations with actor Randolph Scott and producer Harry Joe Brown, Boetticher presents an unsentimental vision of honor-bound men competing and banding together in a desolate landscape ruled by chance.
Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...
In Theaters
Feb 2, 2018 — Opening today at the Film Society of Lincoln Center, Iranian master Abbas Kiarostami’s final film, 24 Frames, is a subtle meditation on time and perception.
The Daily
Aug 27, 2025 — The summer’s been terrific for new movie magazines and filmmaker biographies.
The Daily
Aug 26, 2021 — Steven Soderbergh lines up another series and adaptations of novels by Colson Whitehead and Taffy Brodesser-Akner are in the works.
On the Channel
Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.