The Music Room

Apr 26, 2019 — A politically engaged actor who refused to be commodified, this French icon showcased her piercing intelligence throughout four decades of unforgettable performances.

Feb 1, 2019 — A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.

Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.

Jul 10, 2018 — The martial-arts film was never the same after King Hu got his hands on it, reinventing the genre with subtle editing and dazzling choreography.

May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

Apr 4, 2018 — The sixty-first San Francisco International Film Festival opens tonight with Silas Howard’s A Kid Like Jake, and when it premiered at Sundance, IndieWire’s David Ehrlich called it “very much a ‘White People Problems’ movie, but it’s also a lot more...

Apr 1, 2018 — Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...

Mar 23, 2018 — In anticipation of his debut on the Criterion Channel, Connor Jessup spoke with us about his experiences as an emerging filmmaker and his collaboration and friendship with Thai maverick Apichatpong Weerasethakul.

Feb 26, 2018 — The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it was...

Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.