The Criterion Collection
The Daily
Dec 11, 2017 — Before we delve into the city-by-city breakdown, lets note that, following its announcement late last month of its narrative and documentary feature film competition lineups, Slamdance has unveiled the lineups for its Beyond and Shorts programs. Slamdance 2018 will run...
Aug 15, 2011 — Celebrated as Stanley Kubrick’s first mature film and made when he was only twenty-eight years old, The Killing (1956) is remarkable for boldly announcing so many of the stylistic and thematic preoccupations that would become important constants of his cinema....
Apr 25, 2005 — Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.
Oct 1, 2020 — Martin Scorsese’s World Cinema Project No. 3 The film world and ordinary people(s) in the four corners of the globe have long awaited the home-video release of Soleil Ô (Oh, Sun, 1970), the groundbreaking feature debut of one of Africa’s...
On the Channel
Jun 29, 2022 — This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.
Sep 10, 2020 — In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.
Nov 22, 2021 — Songbook Tootsie is a film about love and desire. Audiences are prone to forgetting this amid the controversies that have arisen around its gender-crossing conceit. Back in 1982, the film emerged as one of the decade’s prestige comedies: it was...
The Daily
Feb 6, 2024 — Tanaka Toshihiko’s first film launches a projected trilogy of stories set on the Japanese island of Hokkaido.
Essays
Apr 29, 2025 — In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.