The Criterion Collection
Aug 31, 2018 — There’s a wistful sense of what might have been running through this week’s round of five.
Features
Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.
On the Channel
Nov 13, 2023 — Channel Calendars This December, take your pick from the cinematic gifts under our tree! We’ve got a spotlight on indie queen Parker Posey, major retrospectives dedicated to the towering artists Yasujiro Ozu and Ousmane Sembène, offbeat portraits of the animal...
The Daily
May 4, 2023 — The Thai artist and director picks ten features to screen alongside his own work in New York.
Dec 13, 2022 — A pioneering feminist artist drawn to universal themes, the Swedish director mined the complexity and humor of human behavior in films that courted controversy and cultivated a sense of detachment.
On the Channel
Oct 27, 2021 — Channel Calendars Celebrate Noirvember on the Criterion Channel with a tribute to the cool-as-ice Robert Mitchum, whose nonchalance and quiet menace made him a defining presence in American cinema’s underworld. Or enjoy the sophisticated, pitch-dark pulp classics in our Fox...
The Daily
Oct 6, 2021 — A rediscovered anti-fascist short is among the highlights of this year’s program of restorations and revivals.
Sep 2, 2021 — Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.